Kate O'Malley, Executive Director of the Atlantic City Arts Foundation, Steps Down

After three years with the organization, Kate O’Malley, Executive Director of the Atlantic City Arts Foundation, is stepping down. Kate has impacted the organization and the arts in Atlantic City, building meaningful relationships with our arts community, driving programmatic success, and building a vision for the future. Under Kate’s leadership, the Atlantic City Arts Foundation hosted our most lucrative, well-attended, and celebrated ARTeriors, ARTeriors at the James. She has advocated for artists, committing to structuring all projects, programs, and partnerships to ensure market-rate wages.

 

We are committed to continuing the meaningful work Kate started, especially as we set our sights on the installation of our 100th mural and the activities surrounding our 48 Blocks Atlantic City celebration. We support and thank Kate for her commitment to the organization and Atlantic City, and wish her all the best as she enters a new chapter in her professional life!

PRESS RELEASE: Atlantic City Arts Foundation Announces Milestone Mural By Renowned Muralist Mona Caron

Atlantic City Arts Foundation Announces Milestone Mural By Renowned Muralist Mona Caron

The organization’s 100th and city’s largest mural will commence in April 2024

Press Release - FOR IMMEDIATE RELEASE

Atlantic City, NJ  – Feb. 26, 2024 – The Atlantic City Arts Foundation, along with presenting sponsor ThriveAC Fund and partner Create 48, today announced renowned Swiss-American artist Mona Caron will paint the largest mural in Atlantic City, commencing in April 2024. Located at The Atlantic, the 19-story mural will be the organization’s 100th mural, and become the largest mural in the city. Part of Caron’s WEEDS project, the mural will incorporate flora native to Atlantic City, narrating themes of resilience, renewal, and perseverance.

“My WEEDS project is a tribute to resilience against all odds. I paint spontaneously occurring wild plants, native or non-native, and paint them big, at a scale inversely proportional to the attention and regard they get. It’s a metaphoric salute to the struggle of authentic grassroots communities, and it’s a reminder that we need to shift Nature’s ranking in our priorities," said Caron.

The 2024 mural, set to be unveiled at the 48 Blocks Atlantic City festival in June, represents a significant milestone in Atlantic City’s cultural landscape. The installation, which is scheduled to commence at the end of April, will involve a six-week collaborative effort between Caron and four assistant muralists, including Charles Barbin and Randi Meekins-Barbin, co-owners of Dunes Gallery in Brigantine and creators of several notable murals in Atlantic City, Jenna Morello, a multi-disciplinary artist from Brooklyn, and Morello’s assistant, Baran Duzgan.

“This is a watershed moment for the arts in Atlantic City,” shared Monica Casiello, Board President of the Atlantic City Arts Foundation. “What better city than Atlantic City to be graced with Mona Caron’s art? Her work proclaims resilience. Atlantic City is nothing if not resilient.”

As the leading public arts organization in Atlantic City, the Atlantic City Arts Foundation has played a pivotal role in transforming the city's landscape through public art. Their mural initiative began in 2017 with only enough funding for paint and supplies; the original artists donated their time. The program has since flourished, culminating in the installation of 96 impactful murals; 80 are still on view, transforming Atlantic City's 17.2 square miles into a vibrant outdoor gallery.

“This project is the result of years of work by our team, volunteers, community members, and artists to build a thriving arts community in Atlantic City,” said Kate O’Malley, Executive Director of the Atlantic City Arts Foundation. “We’ve seen firsthand that murals not only beautify our city, but also boost community pride, drive economic development, and attract tourism. Mona Caron’s mural will further highlight Atlantic City as a destination for arts and culture.”

The 100th mural project is made possible through the support of ThriveAC Fund, the Atlantic, Casiello Philanthropic Foundation and Inlet CDC. For more information about sponsorship opportunities, contact kate@acartsfoundation.org.

For more information about the Atlantic City Arts Foundation visit https://atlanticcityartsfoundation.org/

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About the Atlantic City Arts Foundation

The Atlantic City Arts Foundation’s diverse programs & partnerships activate community pride & civic self-esteem through interaction with public art, including the city’s leading and largest mural arts program. The organization is dedicated to increasing public art access and fostering community art appreciation in Atlantic City, NJ. Programs include 48 Blocks Atlantic City, Chalk About AC, and ARTeriors. The Atlantic City Arts Foundation is a 501(c)3 public arts nonprofit organization. www.atlanticcityartsfoundation.org/ 

Media Contact

Kate O’Malley
kate@atlanticcityartsfoundation.org
(856) 217-1823

PRESS RELEASE: $248K Awarded to Atlantic City Arts Foundation for Mural Restoration, Public Arts Promotion in Atlantic City

$248K Awarded to Atlantic City Arts Foundation for Mural Restoration, Public Arts Promotion in Atlantic City

Press Release - FOR IMMEDIATE RELEASE - January 30, 2024

“Close Encounters” by Charles Barbin, slated for restoration in 2024. Photo: Ray Nunzi, 2018.

The Atlantic City Arts Foundation has been the driving force behind mural art in Atlantic City since 2017. The public arts nonprofit has created 96 murals, with 80 still intact, throughout the 48 blocks of the city. In 2024, a $248,700 NJEDA grant awarded to the organization will support further promotion and restoration of these important cultural assets.

The Public Space Activation Grant is made possible through the New Jersey Economic Development Authority’s (NJEDA) Activation, Revitalization and Transformation (A.R.T.) program, designed to reactivate and revitalize Atlantic City and Newark in the wake of COVID-19.

“Atlantic City thrives on tourism, and the ART Program will ensure some of our most popular sites will be around for years to come for our millions of visitors annually to enjoy,” said City of Atlantic City Mayor Marty Small, Sr.

The Atlantic City Arts Foundation, set to surpass 100 murals created in 2024, will leverage the funding to maintain, expand, and promote the city’s cultural assets:

  • Restoration of 5 murals, damaged by time and weather, by the original artists.

  • Creation of 3 new murals to replace lost murals.

  • Signage installed on Adirondack chairs and planter boxes and the addition of these assets to our public arts map.

  • Building organizational capacity by hiring interns and additional contractors.

  • Performing an independent audit of the organization’s financial records to demonstrate financial transparency and meet application requirements of federal grant funding.

  • Refining the organization’s brand identity and marketing strategy to attract sustainable, long-term funding and tourism.

  • Developing a new website and virtual public art map, creating a more intuitive, interactive, and informative experience for visitors.

  • Purchasing a van and lift to ease mural facilitation.

“As the premier public arts organization in Atlantic City, it’s crucial to foster a culture of restoration, repair, and protection of our cultural assets alongside their expansion. The NJEDA grant allows our organization to lead this initiative while we build the capacity to broaden our reach, fundraising, and impact,” said Atlantic City Arts Foundation Executive Director Kate O’Malley.

Through a collaborative partnership with Stockton University, Ducktown CDC, Chelsea EDC, Midtown CDC, and Inlet CDC, funded by the university’s NJEDA grant, signage will be placed at the organization’s 80 murals.

“Fostering an appreciation for Atlantic City’s heritage, its murals and public space requires investment and collaboration. This grant program gives communities an opportunity to shine and share their stories. It also strengthens Atlantic City’s ability to succeed, because it recognizes the importance of all of the city’s unique assets and offerings,” said Assemblywoman Claire Swift (R-Atlantic).

The A.R.T. program utilizes American Rescue Plan State and Local Fiscal Recovery Funds in the wake of the pandemic.

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The Atlantic City Arts Foundation’s diverse programs & partnerships activate community pride & civic self-esteem through interaction with public art, including the city’s leading and largest mural arts program. The organization is dedicated to increasing public art access and fostering community art appreciation in Atlantic City, NJ. Programs include 48 Blocks Atlantic City, Chalk About AC, and ARTeriors. The Atlantic City Arts Foundation is a 501(c)3 public arts nonprofit organization. www.atlanticcityartsfoundation.org/

2023: Revitalizing Atlantic City Through Public Art

The Atlantic City Arts Foundation has served as a catalyst for change, dedicated to broadening Atlantic City’s visual and cultural identity through public arts initiatives since 2015.

Christian Correa & Nuala work on a mural at Cardinal

Working with our grant writer, Alice Woods, we received $362,000 in grant funding in 2023, including a $100,000 grant from the Casino Reinvestment Development Authority.

Combined with corporate sponsorships and individual donations, the organization raised $476,000 this year.

$222,000 went directly to artists, 70% of whom were Atlantic County-based.

“In Memory Of…” Kenneth Lazan, Jr., John Morris, Chanelle René.

The long-awaited Jacob Lawrence tribute mural, put on hold during the pandemic, was completed in the fall of 2023, located at Atlantic Cape Community College in the 3rd Ward, near Lawrence’s birthplace.

We invited residents and visitors to 19 community-focused events, designed to foster connections and nurture our vibrant and thriving arts community. 2023 included ACAF’s annual Chalk About AC with the return of the Color Run, in partnership with Atlantic City Marathon, and our annual 48 Blocks AC city-wide celebration with a return of Jitney Mural Tours—a restoration of two pre-pandemic experiences.

“Community in Bloom”. De’von Downes, Chanelle René.

19 murals were added to Atlantic City, including a series by globally-renowned muralists dubbing themselves “Foxx and Friends”.

Since 2017, ACAF has produced 103 murals throughout the 48 blocks of Atlantic City.

“The Orange Loop”. Helen Clymer.

Our 10th ARTeriors, ARTeriors at The James, welcomed 1,130 visitors during its month-long run. The kick-off party, co-hosted by Cardinal, was ACAF’s largest event to-date.

ARTeriors Baltic Avenue was also hosted in 2023, bringing 725 visitors through its doors in January.

Model Katie Weightman, painted by Heather Deegan-Hires, shares a laugh with local artist Lennox Warner during the ARTeriors kick-off party.

In partnership with the CRDA, 36 Adirondack chairs and 11 planter boxes were painted and installed for 48 Blocks AC. Investment from neighborhood CDCs ensured inventory was placed throughout the city’s neighborhoods in addition to on the Boardwalk.

Executive Director Kate O’Malley and Community Engagement Coordinator Jill Fermonte

We extend a special thank you to our top funders in 2023: ThriveAC Fund, Casino Reinvestment Development Authority, Waterwheel Foundation, Casiello Philanthropic Foundation, TD Charitable Foundation, and Tapestry and to our top in-kind sponsor, Cardinal.

Thank you to everyone who contributed to our growth and success in 2023 through sponsorships, donations, partnerships, in-kind contributions, and volunteer hours. None of this would be possible without your support. 2023 has been an extraordinary year and we cannot wait to keep building bigger and better in 2024!

The Elephant In The Room

The Elephant In The Room

An Ode to Lucy the Elephant which was founded on the same year as the James, 1880. Making it a travel destination for families from the tri-state. Stories told by neighbors say that before families returning home they would stop at the James to get their Salt Water Taffys. Also, “The Elephant In The Room” is a representation of TRFE, an artist collective that me and fellow ARTerior artist Anthony “Seper” Torcasio proudly represent.

Medium: Office Paper, Latex paint and Spray paint.

Christian “TAMEARTZ” Rodriguez

@tameartz | info@tameartz.com

Sweet Atlantic City

Sweet Atlantic City

After seeing the old photos left behind in the taffy warehouse, it made me think of my grandparents who met in Atlantic City while my grandfather was training the diving horses on the beach. I imagined them in love and enjoying salt water taffy on the boardwalk during simpler times.

As an upholsterer for the Atlantic City casinos, it was important for me to incorporate sewing techniques and furniture design to create the feeling of nostalgia that everyone who has grown up here has felt at some point in time. 

I wanted to keep my pieces as true to Atlantic City history as I could, so most of the fabric used in this space is vintage dead-stock textile sourced from a local casino-hotel. The chairs are antiques while the ottoman, hearts and mirrors are all custom-built. 

Heather Shawne

@dyingbreedac

The Orange Loop

The Orange Loop

The Orange Loop is named after the section of the Monopoly board looping around New York, St. James and Tennessee Avenues.  Once an eyesore it is now becoming a destination just off the AC boardwalk. My art concept gives a fun “Mr. Rodgers “ trolly ride peek  at this new neighborhood of local restaurant & eateries, a beer hall, BBQ pit, a coffee shop and community minded studios.

Helen Clymer “Painted Lady Studio”

Sewing & Us

Sewing & Us

The installation depicts the narrative of the relationship between a woman, her sewing machine, and her grandchild. Conceicao Duarte is my grandmother who has spent her entire life as a Seamstress after being taken out of school at the fourth grade level. Her life has circled around constructing garments from material to a finished product to support her family as they built a life in Portugal, then restarted in America during the 80's. I grew up spending sick days from school curled up in a cane-backed chair in her store front, listening to the repetition of needle and thread as my mother and grandmother altered clothing for customers.

My vision for the installation is to transform a space to this familiar memory curled up in a chair to a moment of honoring her legacy. The two main points of focus are her old sewing machine and a portrait of her hanging from the ceiling that is printed on fabric and embroidered. Between the two points, the continuous stream of thread moves from the sewing machine bobbin into a chaotic, but organized, web and transforms into the materials used to embellish the portrait of Conceicao. By utilizing materials to connect both points, a juxtaposition between an industrialized object, process of production, and a moment of honor are shown in one connected thought.

The personal connection between machine and portrait comes from my personal exploration in sewing garments for my own healing following the death of my grandfather, Conceicao's husband. My healing comes from a skillset she depended on to provide for her family.

Danielle Adelaide

@danielle.adelaide.art | @danielle.adelaide.art | danielleadelaide.com